Badgerlore
Bird Show
Charalambides
Rhys Chatham
Cloudland Canyon
Loren Connors
Tony Conrad
David Daniell
Faust
Paul Flaherty
Josephine Foster
Tim Hecker
Michael Hurley
Larsen
Lau Nau
Lichens
Mountains
The Necks
Neptune
Zeena Parkins
Phantom Orchard
Pumice
Jack Rose
San Agustin
Soft Circle
Spires That In The Sunset Rise
Damo Suzuki
the USA Is A Monster
Peter Walker
White/Light
XXL
Yellow Swans
David Daniell
Location
Chicago, IL
 
Labels
Table of the Elements
Antiopic
 
Website
daviddaniell.com
 
Myspace
myspace.com/davidwdaniell
 
Mp3s

Availability
Festivals; Special engagement fly-ins; tour support. US/Europe.
 
Current Dates
6/13 The Hideout (duo with Douglas McCombs) Chicago, IL
6/26 State Theater (duo with Douglas McCombs - Hott Lava film event) Ann Arbor, MI
7/2 Taste of Chicago at Grant Park (Daniell/McCombs/Rosaly trio at Thrill Jockey Records day) Chicago, IL
7/27 Schubas (with Judson Claiborne and Mazes) Chicago, IL
8/9 Bruar Falls Brooklyn, NY
9/25 Sonic Circuits Festival Washington, DC
David Daniell

Have you heard the raw, minimal howl that rises from the late-night, backwoods campfires at Table of the Elements? If so, you know the work of David Daniell—even if you don't yet recognize the name. Daniell is the head of both of composer Rhys Chatham's current ensembles; he's the lead guitarist in Jonathan Kane's rollicking band, February; he performs regularly in a duo with Tortoise's Doug McCombs; he has collaborated with a Who's Who of today's finest, including Tim Barnes, Thurston Moore and Loren Connors; and his guitar work with his own band, San Agustin, is the stuff of which fleeting blues-drone dreams are made.

Press

"With his slow-moving, understated music, David Daniell makes a fine spokesman for the notion that anything worth doing is worth doing for a long, long time. Whether he's contributing moody strums and sculpted E-Bow drones to the guitar trio San Agustin or stringing computer-generated pings and bumps across gulfs of silence on Sem, his solo debut on his own Antiopic label, he develops his material patiently, the better to let you observe the sounds from every angle." —Bill Meyer, Chicago Reader